In ArtReview, Tom Morton writes “For an artist born in 1995, there's much that is curiously retrograde in [Lewis] Brander's painterly address. There are elements of J.M.W. Turner's light-strafed romanticism and of James McNeill Whistler's misty urban sublime, traces of Brice Marden's fields of fine-tuned colour and of Howard Hodgkin's heat-hazed, near-abstract landscapes. At his best, Brander employs landscape as a method of drawing disparate moments - even histories - together into a single image. What he paints is not only space, but also time.”

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